PADHI FRIEBERGER
FOTOKUNST VON 1950–2000 18.12.2020–18.04.2021
PADHI FRIEBERGER
FOTOKUNST VON 1950–2000 18.12.2020–18.04.2021
Padhi Frieberger (1931-2016), self-proclaimed outsider of the Austrian art scene and one-person movement, found in photography an ideal medium for his multiform practice that united art and life. With more than 100 photographic works from the OstLicht Collection - supplemented by selected Mail-Art - WestLicht presents the most comprehensive presentation to date of this so significant part of his oeuvre.
Almost without exception, Frieberger's photographs are meticulously arranged by the artist; their sometimes seemingly spontaneous aesthetics are subject to a clear direction. In terms of motifs, the spectrum ranges from symbolically charged stagings to portraits of his colleagues - including Friedensreich Hundertwasser, Oswald Wiener or André Heller - to photographic re-enactments of his own object art. Frieberger's photographic works already met with a great response among his contemporaries: their singular visual language was appreciated by grand theorist Peter Weibel as well as by Austria's most important representative of Life-photography, Franz Hubmann.
Check out the INTERNATIONAL MAIL-ART OPEN CALL!
PADHI FRIEBERGER
FOTOKUNST 1950–2000
18.12.2020–18.04.2021
Padhi Frieberger (1931-2016), self-proclaimed outsider of the Austrian art scene and one-person movement, found in photography an ideal medium for his multiform practice that united art and life. With more than 100 photographic works from the OstLicht Collection - supplemented by selected Mail-Art - WestLicht presents the most comprehensive presentation to date of this so significant part of his oeuvre.
Almost without exception, Frieberger's photographs are meticulously arranged by the artist; their sometimes seemingly spontaneous aesthetics are subject to a clear direction. In terms of motifs, the spectrum ranges from symbolically charged stagings to portraits of his colleagues - including Friedensreich Hundertwasser, Oswald Wiener or André Heller - to photographic re-enactments of his own object art. Frieberger's photographic works already met with a great response among his contemporaries: their singular visual language was appreciated by grand theorist Peter Weibel as well as by Austria's most important representative of Life-photography, Franz Hubmann.
Check out the INTERNATIONAL MAIL-ART OPEN CALL!
»Fotografie als bildende Kunst« (Oswald Wiener)
Schloss Hagenberg, Fallbach, 1960/65
»Das innere Auto (mit Unruhe-Stift) - Fahren Sie drauf ab!«
Ehem. Textilfabrik Fischapark, Weigelsdorf, 1982/87
»Huik's Kappen«
1965
Friedensreich Hundertwasser
Vienna, 1960/65
Ehem. Textilfabrik Fischapark, Weigelsdorf, 1982/87