REINER RIEDLER
THIS SIDE OF PARADISE
PHOTOGRAPHS 1992–2022
04.03.–15.05.2022
REINER RIEDLER
THIS SIDE OF PARADISE
PHOTOGRAPHS 1992–2022
04.03.–15.05.2022
A "chronicler of longing": In the course of his career spanning more than thirty years, Reiner Riedler has created a comprehensive body of work that has also received much international acclaim.
Anchored in classical documentary photography, the Vienna-based artist deals above all with the profoundly human pursuit of happiness.
To do so, he prefers to seek out places that promise at least a short-term escape from everyday life: Artificial leisure worlds, which he has unmaskingly documented in his well-known series Fake Holidays, a Russian Circus, which stops off as a magical counter-image in the middle of a post-socialist prefabricated housing estate, the pleasure gardens of the swinger and fetish club scene, the scenes of modern event culture, the excesses of which he captures in his as yet unpublished long-term project This Side of Paradise, or the Viennese music clubs and dance cafés shut down due to the pandemic in his latest series End of the Night.
REINER RIEDLER
THIS SIDE OF PARADISE
04.03.–15.05.2022
A "chronicler of longing": In the course of his career spanning more than thirty years, Reiner Riedler has created a comprehensive body of work that has also received much international acclaim.
Anchored in classical documentary photography, the Vienna-based artist deals above all with the profoundly human pursuit of happiness.
To do so, he prefers to seek out places that promise at least a short-term escape from everyday life: Artificial leisure worlds, which he has unmaskingly documented in his well-known series Fake Holidays, a Russian Circus, which stops off as a magical counter-image in the middle of a post-socialist prefabricated housing estate, the pleasure gardens of the swinger and fetish club scene, the scenes of modern event culture, the excesses of which he captures in his as yet unpublished long-term project This Side of Paradise, or the Viennese music clubs and dance cafés shut down due to the pandemic in his latest series End of the Night.
Astronaut, Hotel Topkapi Palace, Turkey, 2006 from the series and the book "Fake Holidays", Moser Verlag, 2009 © Reiner Riedler
Circus Princess, Zelenograd, Russia, 2004 from the series and the book of the same name "Russian Cirkus", Edition 5Haus, 2022 © Reiner Riedler
Set-up work at the Schauspielhaus Wien during the first lockdown, 2020, from the series and the book of the same name "End of the Night", Fotohof Editionen, 2022 © Reiner Riedler
Even in his early works, he shows a special feeling for sensitive portraits. As shown, for example, in the series Homeless, Albania or Ukraine, some of which were still photographed in black and white, he manages to photograph people in precarious situations without ever exposing them.
The show is rounded off by Riedler's conceptual groups of works, in which he not least questions the medium itself: for example, with the illuminated film reels from The Unseen Seen, he evokes emotions around cinema as a place of longing, and in the series Sweat, with the sweat imprints of human bodies, he refers to a basic principle of the photographic process.
Riedler's works have been exhibited at numerous photo festivals worldwide and at the Centre Pompidou in Paris, among other places. With THIS SIDE OF PARADISE, WestLicht is now presenting a show of the photographer's work for the first time, spanning a broad arc over his entire oeuvre.
Colourful light bulbs in the "Camera Club" during the first lockdown, 2020, from the series and the book of the same name "End of the Night", Fotohof Editionen, 2022 © Reiner Riedler
Banquet for the opening of a kindergarten, Izmail, Ukraine, 1999 from the series and the book of the same name "Ukraine. Photographien", Edition Fotohof im Otto Müller Verlag, 2003 © Reiner Riedler
Horizon 1, Tropical Islands, Germany, 2007, from the series and the book of the same name "Fake Holidays", Moser Verlag, 2009 © Reiner Riedler
THIS SIDE OF PARADISE is WestLicht's contribution to this year's Foto Wien (09 - 27 March). A special limited edition poster book published by WestLicht will accompany the exhibition.
Even in his early works, he shows a special feeling for sensitive portraits. As shown, for example, in the series Homeless, Albania or Ukraine, some of which were still photographed in black and white, he manages to photograph people in precarious situations without ever exposing them.
The show is rounded off by Riedler's conceptual groups of works, in which he not least questions the medium itself: for example, with the illuminated film reels from The Unseen Seen, he evokes emotions around cinema as a place of longing, and in the series Sweat, with the sweat imprints of human bodies, he refers to a basic principle of the photographic process.
Riedler's works have been exhibited at numerous photo festivals worldwide and at the Centre Pompidou in Paris, among other places. With THIS SIDE OF PARADISE, WestLicht is now presenting a show of the photographer's work for the first time, spanning a broad arc over his entire oeuvre.
THIS SIDE OF PARADISE is WestLicht's contribution to this year's Foto Wien (9 - 27 March). The exhibition will be accompanied by a special limited edition poster book published by WestLicht.